Sluice. App Store research for builders.

Gdtae 0508-3

Started 18h ago

The letter came on a Friday. Carl Morrison was sitting in his truck at the end of his driveway, the engine off, the radio silent, looking at the house he'd lived in for thirty-one years. The house was dark. It had been dark for eight months now, ever since the ambulance took his wife and the doctors said the words that made the dark permanent. The envelope was on the passenger seat. Plain white. A return address he didn't recognize. He'd picked it up at the post office on his way back from town, along with the usual bills and catalogs and the circulars that he threw away without opening. He'd been making that trip once a week for eight months. Down the gravel road, through the hollow, past the church where they'd had the service, past the cemetery where she was buried, into town for groceries and mail and the things a man needed to keep a house standing when there was no one in it to need him. He opened the envelope. A single page. Typed. A name at the bottom he hadn't seen in twenty-two years. *I am writing to inform you that your son, Michael Morrison, is scheduled for release from the Northern Correctional Facility on March 15th. He has asked that we contact you regarding his transportation and housing arrangements upon his release.* Carl read it twice. Then he folded it and put it back in the envelope and put the envelope on the dashboard and sat in his truck with his hands on the steering wheel and the sun going down behind the ridge and the house dark in front of him. Michael. His son. The boy who'd left at seventeen and come back at twenty-three in handcuffs, in the back of a police car, his face bruised, his hands cuffed, his eyes looking at Carl through the window of the cruiser with something that might have been shame or might have been fear or might have been nothing at all. The boy who'd stood in this driveway, two deputies holding his arms, while the judge read the sentence and Carl stood on the porch and watched and didn't say a word. Twenty-two years. Twenty-two years of letters he hadn't opened. Phone calls he hadn't answered. Visits he hadn't made. Twenty-two years of telling himself that the boy was gone, that the man in that prison wasn't his son, that the only thing he could do was close the door and lock it and pretend there had never been a door at all. He got out of the truck. His knee was bad. His back was worse. He walked to the house. The steps needed fixing. The porch needed painting. The door needed a new lock, the old one having been broken for six months now, a thing he'd been meaning to get to, a thing he hadn't gotten to, a thing that didn't matter because there was no one to lock out and nothing to lock in. He went inside. The house was cold. The furnace had been acting up, the pilot light going out when the wind blew from the north, which it had been doing for three days now. He lit it. The flames caught. The house started to warm. He sat at the kitchen table. The same table where his wife had sat, where his son had sat, where they'd eaten dinner together for eighteen years, before the boy got wild, before the fights, before the night he came home with blood on his shirt and something in his eyes that Carl didn't want to name. He looked at the envelope on the table. March 15th. Three weeks. Twenty-two years in a box, and now the box was opening, and the boy was coming out, and Carl was sitting in a kitchen that hadn't been warm in eight months, trying to remember what it felt like to have someone in the house who needed him. He thought about his wife. The way she'd look at him when Michael was a boy, when he was small, when he was still the child she'd carried and nursed and held in the dark hours when he couldn't sleep. "He's got your eyes," she'd say. "He's got your stubbornness. He's got your way of holding things in until they break." And Carl would look at the boy, at the eyes that were his eyes, at the face that was his face, at the hands that were his hands, and he'd see something he didn't want to see. Something that was his. Something that he'd passed on. Something that he couldn't take back. The boy had been wild. Always wild. From the time he could walk, he was running, climbing, breaking things, testing things, pushing against every wall Carl put in front of him. Carl had tried to hold him. Tried to keep him. Tried to teach him the things his father had taught him—the work, the land, the way you hold on to what's yours and let go of what's not. But the boy didn't want to hold on. He wanted to run. He wanted to go. He wanted to be anywhere but here, in this house, on this land, in the life his father had chosen for him. The night it happened, Carl was in this kitchen. His wife was in the bedroom, already asleep, already starting to fade, though they didn't know it then, though they had years left that they didn't know they were going to lose. Michael came through the door. His shirt was torn. His lip was split. His hands were shaking. There was blood on his knuckles, blood on his collar, blood on the floor where he stood. Carl stood up. The boy was taller than him now. Bigger. Stronger. The boy who'd been small, who'd been his, who'd sat in this kitchen and eaten his dinner and done his homework and looked at his father with eyes that said, "I want to be like you." The boy was gone. The man standing in the kitchen was a stranger with his face, his hands, his eyes. The phone rang. Carl answered it. A neighbor. A fight. A boy in the hospital. A man on the line saying Michael's name, saying words like assault, like charges, like police. Carl hung up. He looked at his son. The blood on his hands. The fear in his eyes. The thing that was his, that he'd passed on, that he couldn't take back. The boy looked at him. The fear went out of his eyes. Something else came in. Something that looked like acceptance. Something that looked like goodbye. "Where am I supposed to go?" "I don't care. Just go." The boy went. He walked out the door. He didn't run. He didn't look back. He just walked down the driveway, onto the gravel road, into the dark. Carl stood in the doorway and watched him go. The way he'd watched him go a hundred times, a thousand times, every time the boy ran and Carl let him, every time the boy pushed and Carl held, every time the thing between them got too big for the space that was supposed to hold it. The police came the next day. Carl told them he didn't know where Michael was. He told them the boy had left, had been gone for months, that he hadn't seen him, didn't know him, couldn't help them. He told them the lies that fathers tell when they don't know what else to do, when the thing they're supposed to protect has become the thing they're supposed to fear. They found Michael a week later. Two states away. Living in a car. Waiting for something that wasn't coming. The trial took three months. The sentence was twelve years. Carl sat in the courtroom and watched his son stand in a cage and listen to the words that would put him in another cage for a dozen years. He sat in the courtroom and watched his wife cry. He sat in the courtroom and didn't say a word. When it was over, when the bailiff took Michael away, when the room emptied and the lights went out, Carl walked out of the courthouse and drove home and sat in this kitchen and looked at the chair where his son used to sit and told himself that it was done. That the boy was gone. That the man in that prison wasn't his. That the thing he'd passed on was something he could cut out, like a branch that was killing the tree, like a limb that had to be taken off so the rest could live. He was wrong. He knew he was wrong. He'd known it every day for twenty-two years. Every time he walked past Michael's room, every time he sat in this kitchen, every time he looked at the photograph on the mantel—the one of Michael at ten, holding a fish, smiling at the camera, his eyes bright, his face clean, his hands small and whole and free of the blood that would come later. His wife had written to Michael. Every week. For the ten years she lived after he went away. She'd sit at this table, the same table, the same chair, and she'd write. Long letters. Letters about the garden, about the weather, about the neighbors, about the things that were happening in the world that Michael couldn't see. Carl would watch her write. He'd watch her seal the envelope, address it, put a stamp on it. He'd watch her put it in the mailbox at the end of the driveway, and he'd know that she was writing to something that was his, that he'd given her, that he'd let go. She never asked him to write. She never asked him to visit. She never asked him to be anything other than what he was: a man who had closed a door and couldn't find the handle to open it again. She loved him. He knew she loved him. But she also knew that the thing that had broken between him and his son was not something she could fix, not something he could fix, not something that could be fixed at all. It was just broken. It would always be broken. She died on a Tuesday. The cancer had been slow, then fast, then done. She was in this bed, in this room, her hand in his, her eyes on his, her breath coming shallow and quick. "Michael," she said. "Tell Michael—" "I'll tell him." "You have to tell him. You have to—" "I will." She closed her eyes. Her hand went cold. Carl sat in the room for a long time, holding her hand, waiting for something that wasn't coming. Then he walked to the kitchen. He sat at the table. He looked at the photograph on the mantel. The boy at ten. The fish. The smile. The eyes that were his eyes. He didn't write. He didn't call. He didn't tell Michael that his mother was gone. He let the door stay closed. He let the silence stay silent. He told himself that it was better that way. That the boy had made his life, his choices, his world, and that Carl's world, his life, his choices, didn't include the boy anymore. He was wrong. He knew he was wrong. But he didn't know how to be anything else. Now the letter was on the table. The boy was coming home. March 15th. Three weeks. And Carl was sitting in the kitchen with the photograph on the mantel and the door that needed a lock and the furnace that went out when the wind blew from the north, trying to remember how to be a father to someone who hadn't been his son in twenty-two years. He picked up the phone. The receiver was cold. The dial tone hummed. He looked at the number on the letter. The area code was from the prison, the one he'd seen a thousand times on the envelopes his wife used to hold, the ones he'd thrown away without opening after she died, the ones he'd let pile up in a box in the basement, unread, unanswered, unopened. He dialed. The phone rang once. Twice. Three times. "Northern Correctional Facility, this is Officer Davis." "I need to speak to someone about an inmate. Michael Morrison. He's scheduled for release." A pause. The sound of keys clicking. "One moment, sir. I'll transfer you to case management." The line went quiet. Carl sat in the kitchen. The furnace was humming. The wind was blowing. The house was dark. The photograph was on the mantel. The boy was ten years old, holding a fish, smiling at the camera, his eyes bright, his hands clean. "Mr. Morrison?" A woman's voice. Janet Crawley, the name on the letter. "Yes." "I'm glad you called. Michael has been asking about you. He's been asking if you'd come for him. On the fifteenth." Carl looked at the window. The sun was gone. The ridge was dark. The stars were coming out. The ones his wife used to name, the ones she'd point to from the porch, the ones she'd say were watching them, were keeping them, were holding them in the dark. "He wants me to come?" "He wants to know if you'll be there. If you'll take him home." Carl closed his eyes. The boy at ten. The fish. The smile. The eyes that were his eyes. The boy at seventeen, blood on his hands, fear in his eyes, walking down the driveway, into the dark. The man in the courtroom, standing in a cage, waiting for words that would put him in another cage. The man who had been writing letters for twenty-two years, to a father who wouldn't open them, to a mother who was dead, to a house that had closed its doors. "I'll be there," Carl said. The woman gave him the time. The gate. The instructions. The things he needed to know to bring his son home. He wrote them on the back of the envelope, in the handwriting that was his father's, that was his son's, that was the same hand that had held a fish at ten and a knife at seventeen and a pen for twenty-two years, writing letters that no one answered. He hung up. The kitchen was dark. The furnace was warm. The photograph was on the mantel. The boy was ten years old, holding a fish, smiling at the camera, the way he'd smiled at Carl a thousand times, the way he'd smiled at his mother, the way he'd smiled at the world before the world taught him not to smile. Carl stood up. He walked to the mantel. He picked up the photograph. The glass was dusty. The frame was tarnished. The boy was ten years old. His hair was blond, the color of the field in summer. His eyes were brown, the color of the dirt after a rain. His hands were small, wrapped around the fish, holding it like it was something precious, something he'd caught, something he'd keep. Carl held the photograph. His hands were old now. The hands that had held his son, had taught him to fish, had taught him to work, had taught him to close a door and not look back. The hands that had let go of everything they were supposed to hold. He put the photograph back. Walked to the bedroom. His wife's room. Her things were still there. Her dresser. Her mirror. Her brush. The bed where she'd died, her hand in his, her eyes on his, her voice saying Michael's name. He lay down on the bed. The sheets were cold. The pillow was flat. The room was dark. He closed his eyes. He thought about the boy. The way he'd run. The way Carl had let him. The way Carl had told himself it was the only thing he could do. He thought about the letters. The ones his wife had written. The ones he'd thrown away. The ones in the basement, in a box, unopened, unread, unanswered. He got up. He walked to the basement. The stairs were steep. The light was dim. The box was in the corner, under the stairs, where he'd put it eight months ago, after his wife died, after he'd cleaned out her closet, after he'd put her things in boxes and the boxes in the basement and the door between him and everything she'd left behind. He pulled the box out. The cardboard was soft. The tape was yellow. He opened it. The letters were there. Dozens of them. All addressed to Michael Morrison, in his wife's handwriting. All unopened. All the words she'd written, the words she'd sent, the words he'd let go. He took the top letter. The date was three years ago. He opened it. His wife's handwriting. The same handwriting on the cards she'd sent him, on the notes she'd left on the counter, on the check she'd written for the groceries every week for thirty years. *My dear Michael,* *I'm sending this to the address you gave me last time. I hope it finds you. I hope you're well. I hope you're taking care of yourself the way I taught you, the way I should have taught you better.* *The garden is doing well. The tomatoes are coming in. I think of you when I pick them. You used to eat them right off the vine, warm from the sun, juice running down your chin. You'd say they were the best thing in the world. I'd say you were the best thing in the world. You'd laugh. You had the best laugh, Michael. I hope you still laugh. I hope somewhere, in that place, you find something to laugh about.* *Your father is the same. He doesn't talk about you. He doesn't talk about much of anything. He sits in his chair. He looks out the window. He does the work that needs to be done. I think he's waiting. I think he's always waiting. For something that will bring you back. For something that will let him be the father he wanted to be.* *I'm not going to be here much longer. You know that. You've known it for a while. The doctors say the treatments aren't working. I'm not afraid. I'm not afraid of dying. I'm afraid of leaving you. I'm afraid of leaving your father. I'm afraid of the silence that will come when I'm gone, the silence that will sit in this house like another person, like the person I was, like the person you were, like the things we said and the things we didn't say.* *I want you to come home, Michael. When you get out. I want you to come to this house, to this kitchen, to this table. I want you to sit in your chair. I want you to eat tomatoes off the vine. I want you to laugh the way you used to laugh. I want you to look at your father and see the man I saw, the man who loved you, who loves you, who doesn't know how to say it.* *I want you to know that I loved you. That I never stopped loving you. That I will love you for as long as there is anything left of me to love you with.* *Your mother* Carl folded the letter. He put it back in the envelope. He looked at the box. The letters were there. Years of them. Years of words his wife had written to a son who was waiting, a son who was reading, a son who was holding onto the only thing that held him in the dark. He took the box upstairs. He put it on the kitchen table. He sat down. He opened another letter. And another. He read them all. He read about the garden, about the weather, about the neighbors, about the things that were happening in the world that Michael couldn't see. He read about the boy he'd been, the man he was becoming, the things his mother saw in him that Carl had closed his eyes to. He read about himself. About the man who sat in his chair, who looked out the window, who did the work that needed to be done. About the man who was waiting. About the man who didn't know how to say the words that would bring his son home. He read until the sun came up. The light came through the window. The field was gold. The ridge was green. The house was quiet. The letters were on the table. His wife's words were in his hands. His son's words were in the letters he'd written back, the ones his wife had kept, the ones she'd put in the box with her own, the ones Carl had never seen. He opened one. Michael's handwriting. The same hand that had held the fish, that had held the knife, that had held the pen for twenty-two years, writing to the only person who wrote back. *Mom,* *I'm okay. I'm okay. Don't worry about me. I'm doing the work. I'm reading the books. I'm trying to be the person you said I could be. I'm trying to be the person Dad wanted me to be. The person I wanted to be. Before everything.* *I think about the house. The garden. The tomatoes. I think about sitting on the porch, eating them off the vine, juice running down my chin. I think about Dad standing in the field, his back straight, his hands in the dirt, doing the work that he's always done. I think about you in the kitchen, at the table, writing the letters that keep me alive.* *I'm not the person I was, Mom. I know you know that. I know you've always known it. But I want you to know it too. I'm not the boy who left. I'm not the man who did the things I did. I'm something else. Something you made. Something that's been waiting, all this time, to come home.* *I want to come home. I want to see the house. I want to walk in the field. I want to sit on the porch and watch the sun go down and know that I'm where I belong. I want to see Dad. I want to look at him and see the man you saw, the man who loved me, who loves me, who doesn't know how to say it.* *I want to say it for him. I want to say the words he can't say. I want to tell him that I'm sorry. That I'm sorry for the night I left. For the blood on my hands. For the things I did that I can't undo. For the years I took from him. From you. From us. I want to tell him that I love him. That I never stopped loving him. That I will love him for as long as there is anything left of me to love him with.* *I'm coming home, Mom. When this is over. When the door opens. I'm coming home. And I'm not leaving again.* *Your son,* *Michael* Carl put the letter down. His hands were shaking. His eyes were wet. The sun was on the table. The letters were open. His wife's words. His son's words. The words that had been waiting for him, in a box in the basement, for eight months, for twenty-two years, for a lifetime. He looked at the photograph on the mantel. The boy at ten. The fish. The smile. The eyes that were his eyes. He looked at the letters on the table. The years of words. The years of waiting. The years of silence that he had made and that he could break, now, today, with a door that opened, with a road that led to a place he'd never been. He picked up the phone. He dialed the number on the letter. The caseworker answered. "Mrs. Crawley. It's Carl Morrison. Michael's father." "Yes, Mr. Morrison." "I'll be there on the fifteenth. To pick him up." "Michael will be glad to hear that." "He doesn't know I'm coming. I didn't—I haven't—" "I'll tell him. He's been waiting. He's been waiting a long time." Carl looked at the window. The field was gold. The ridge was green. The sun was high. The house was warm. The letters were on the table. His son's words were in his hands. "I know," Carl said. "I've been waiting too." He hung up. He walked to the door. The lock was broken. The door was open. The porch was in need of paint. The steps were in need of fixing. The things he'd been meaning to do. The things he hadn't done. The things he would do now, today, before the fifteenth, before his son came home. He walked to the shed. The tools were there. The hammer, the saw, the paint, the brush. The things his father had used. The things he had used. The things he would use now. He took the hammer. He walked to the porch. The steps were loose. The wood was rotten. He pulled the old boards off. He found new ones. He cut them to size. He nailed them in place. The steps were solid. The porch was safe. The thing he'd been meaning to do for years was done. He took the paint. The brush. The porch needed painting. The gray was faded. The wood was bare. He painted. The brush moved. The paint covered. The porch was white. The house was clean. The thing he'd been meaning to do for years was done. He took the lock. The new one he'd bought at the hardware store, months ago, when he'd thought about fixing the door, when he'd put it in the drawer, when he'd told himself he'd get to it later. He took the old lock off. He put the new one on. The key turned. The door locked. The door opened. The house was closed. The house was open. The thing he'd been meaning to do for years was done. He stood on the porch. The sun was going down. The field was gold. The ridge was green. The house was white. The steps were solid. The lock was new. The porch was painted. The things he'd been meaning to do were done. He had done them. In one day. In the day after he'd opened the box. In the day after he'd read the letters. In the day after he'd found the words that had been waiting for him for twenty-two years. He went inside. The house was warm. The letters were on the table. The photograph was on the mantel. The boy at ten. The fish. The smile. The eyes that were his eyes. The man who was coming home. The son who had been writing to him, through his mother, for twenty-two years, waiting for him to open the door. Carl sat at the table. He picked up a pen. He took a piece of paper. He wrote. *Michael,* *I'm coming for you. On the fifteenth. I'll be there when the gate opens. I'll be there to take you home.* *I read your letters. The ones you wrote to your mother. I found them last night, in a box in the basement. I read all of them. I read the words you wrote. The words you wanted me to hear. The words I wasn't ready to hear. The words I've been waiting to hear, all these years, without knowing I was waiting.* *I'm sorry. I'm sorry for the night I told you to go. I'm sorry for the years I didn't write. I'm sorry for the letters I didn't open. I'm sorry for the door I closed. I'm sorry for the silence that was the only thing I knew how to give you.* *I'm not the man I was, Michael. I know that doesn't matter. I know that the man I was is the man who let you go. But I'm not that man anymore. I've been sitting in this house, in this kitchen, looking at your photograph, reading your mother's letters, waiting for something that would bring me back to you.* *I want you to come home. I want you to see the house. I want you to walk in the field. I want you to sit on the porch and eat tomatoes off the vine, the way you used to. I want you to laugh the way you used to laugh. I want you to be the person your mother saw. The person I see now. The person I've always seen, even when I closed my eyes.* *I love you, Michael. I never stopped loving you. I will love you for as long as there is anything left of me to love you with.* *Your father* He folded the letter. He put it in an envelope. He wrote Michael's name on the front. The same name his wife had written a hundred times. The same name he'd said a thousand times, in the silence of this house, in the dark of this room, in the hours when the door was closed and the letters were unopened and the silence was all he had. He put the letter on the table. He looked at the photograph on the mantel. The boy at ten. The fish. The smile. The eyes that were his eyes. He looked at the letters on the table. His wife's words. His son's words. His words now. The words that would bring his son home. He walked to the door. The lock was new. The steps were solid. The porch was painted. The house was ready. He was ready. For the first time in twenty-two years, Carl Morrison was ready. The days passed. He fixed the window that didn't open. He fixed the hinge on the barn door. He fixed the fence that had been down for years. He did the things he'd been meaning to do, the things that had been waiting, the things that would make the house a home for someone who was coming back. He went to the cemetery. His wife's grave was on the hill, under the oak tree, the one she'd loved, the one she'd sat under on summer afternoons, reading, writing letters, waiting for something that was coming. He stood at the grave. The stone was new. The grass was green. The flowers were plastic, the ones that last through the winter, that don't die when everything else dies. "I'm going to get him," Carl said. "On the fifteenth. I'm bringing him home." The wind blew. The oak tree moved. The sun was on the stone. The name was there. His wife's name. The dates. The words he'd chosen, the words that said she was loved, that said she was missed, that said she was waiting for something that would come, that was coming, that was almost here. "I read the letters," Carl said. "All of them. The ones you wrote. The ones he wrote. I read them all. I know now. I know what you were trying to tell me. I know what he was trying to say. I know what I should have said. What I'm saying now." He knelt. His knee was bad. His back was worse. But he knelt. He put his hand on the stone. The stone was cold. His hand was warm. "I'm sorry," he said. "I'm sorry I wasn't the man you needed. The father he needed. The person I should have been. I'm sorry it took me so long. I'm sorry you had to wait. I'm sorry he had to wait. I'm sorry for all the years that we were all waiting for something that was here all along." He stood up. His knee hurt. His back hurt. But he stood. He looked at the grave. The stone. The name. The words that said she was his wife, that she was loved, that she was gone. He walked back to the house. The steps were solid. The porch was white. The door was open. The house was warm. The letters were on the table. The photograph was on the mantel. The boy at ten. The fish. The smile. The eyes that were his eyes. He picked up the letter he'd written. He looked at it. His words. The words he'd been waiting to say. The words he'd finally said. He put it in his pocket. He would give it to Michael when he saw him. When the gate opened. When his son walked out of the place he'd been for twenty-two years and into the place that had been waiting for him, that had always been waiting for him, that would be his for as long as he wanted it. The morning of the fifteenth, Carl woke up before dawn. He made coffee. He sat at the table. He looked at the photograph on the mantel. The boy at ten. The fish. The smile. The eyes that were his eyes. He looked at the letters on the table. His wife's words. His son's words. His words now. The words that had brought him to this day. He put on his coat. His good coat, the one his wife had bought him for their anniversary, the one he'd been saving for something, for this, for the day he would bring his son home. He walked to the door. The lock was new. The steps were solid. The porch was white. The house was ready. He was ready. He got in his truck. The engine started. The heater blew. The road was gravel, the same road he'd driven a thousand times, the same road his son had walked down twenty-two years ago, the same road that led to the highway, to the city, to the place where the gate was waiting. He drove. The sun came up. The field was gold. The ridge was green. The sky was blue. The road was straight. He drove past the church where they'd had the service. Past the cemetery where his wife was buried. Past the hollow where his son had played as a boy. Past the places that held the pieces of a life that was waiting to be put back together. The prison was on the edge of the city. The walls were gray. The gates were tall. The towers were high. The place where his son had been for twenty-two years. The place that had held him, had kept him, had changed him into the man who was coming home. Carl parked the truck. He sat for a minute. His hands were on the wheel. His heart was in his chest. His son was on the other side of the gate. His son was coming home. His son was waiting for him. He got out. He walked to the gate. The guard checked his name. The guard opened the gate. Carl walked through. The yard was empty. The buildings were gray. The windows were small. The doors were closed. The door that would open was closed. The door that would let his son out was closed. The door that would let his son in was open. He waited. The sun was on his face. The wind was at his back. The gate was behind him. The door was in front of him. The door that would open. The door that would let his son out. The door that would let his son come home. The door opened. A man came out. He was tall. His hair was gray. His face was lined. His eyes were brown. The color of the dirt in the field after a rain. His hands were in his pockets. His shoulders were straight. His step was steady. He walked toward Carl. He stopped. He looked at Carl. His eyes were Carl's eyes. His face was Carl's face. His hands were Carl's hands. He was Carl's son. "Dad," Michael said. Carl looked at his son. The man who was standing in front of him. The boy who had left. The man who had come back. The son who had been writing to him for twenty-two years, waiting for him to open the door. "Michael," Carl said. They stood there. The sun was on their faces. The wind was at their backs. The gate was open. The door was open. The house was waiting. The field was waiting. The porch was waiting. The tomatoes were waiting. The letters were on the table. The photograph was on the mantel. The boy at ten. The fish. The smile. The eyes that were their eyes. Carl put his hand in his pocket. He took out the letter. The one he'd written. The one with his words. The words he'd been waiting to say. He held it out. Michael took it. He looked at it. His name on the front. His father's handwriting. The same hand that had held him, that had taught him, that had let him go. The same hand that was reaching for him now. Michael opened the letter. He read it. The sun was on the paper. The wind was in his hair. His hands were steady. His eyes were wet. He read the words his father had written. The words that had been waiting for him. The words that were bringing him home. He folded the letter. He put it in his pocket. He looked at his father. The man who was standing in front of him. The man who had let him go. The man who had come to bring him back. The father who loved him, who had always loved him, who would love him for as long as there was anything left to love him with. "I read your letters," Carl said. "All of them. Your mother kept them. In a box in the basement. I read them last week. All of them. All the words you wrote. All the words I should have read. All the words I should have written back." Michael looked at him. His eyes were brown. His face was lined. His hair was gray. He was not the boy who left. He was not the man who did the things he did. He was something else. Something his mother had made. Something his father had made. Something that had been waiting, all this time, to come home. "I wrote to you," Michael said. "I wrote to you every week. For twenty-two years. I wrote to you and I put the letters in with Mom's. I wrote to you and I told you I was sorry. I told you I was waiting. I told you I was coming home. I wrote to you and you never answered." Carl looked at his son. The man who had been writing to him for twenty-two years. The man who had been waiting for him to answer. The man who was standing in front of him, waiting still. Carl looked at his son. The man who had been writing to him for twenty-two years. The man who had been waiting for him to answer. The man who was standing in front of him, waiting still.

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Midnight Romance

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